EDITORIAL DESIGN
A series of editorial layouts for both newspaper and magazine publications, promoting exclusive discounts on the brand’s patented comfort‑enhancing pillows. The campaign focused on sleep wellness and trusted testimonials, combining clean typography, balanced composition and persuasive visual hierarchy to communicate credibility and warmth. Each layout was crafted to align with print advertising standards while maintaining GX Pillows’ brand identity. The result was a cohesive set of editorial pieces that elevated the product’s story, blending commercial design with editorial storytelling to engage readers and drive conversions.
GX PILLOWS EDITORIAL COPIES
A series of editorial advertisements across newspaper and magazine formats to support the product launch of the newly reformulated Brain8 supplement - a wellness product designed to help combat brain fog, a topic that has gained significant attention in recent years. The campaign introduced the refreshed brand identity through clean, confident layouts and a calm, science‑led aesthetic. Each piece balanced visual storytelling with brand communication, using typography and imagery that conveyed clarity, focus and trust. The result was a cohesive editorial suite that positioned Brain8 as a credible, forward‑thinking solution.
SILVR WELLNESS EDITORIAL COPIES
Colourfence’s nationwide advertising campaign was developed through a suite of clean, impactful editorial layouts designed for newspapers, magazines and smaller regional titles across the country. Each piece showcased their fencing and shed services with clear, confident messaging, supported by strong visual hierarchy that guided readers effortlessly from headline to offer. The layouts balanced practical information with approachable branding, ensuring the content felt trustworthy, service‑driven and easy to digest. By combining structured composition, consistent typography and purposeful imagery, the campaign delivered a polished editorial presence that strengthened Colourfence’s visibility and credibility across multiple print platforms.
COLOURFENCE EDITORIAL COPIES
The editorial copy I produced for LPA Now focused on clearly communicating why securing a Lasting Power of Attorney is one of the most important steps individuals can take to protect themselves and their loved ones. Unlike a will, which only comes into effect after someone has passed away, an LPA safeguards a person’s wishes during their lifetime, ensuring that trusted family members or appointed attorneys can make vital decisions if they lose the ability to do so themselves. The copy highlighted LPA Now’s expertise in guiding people through this process, removing the confusion and stress often associated with legal documentation. By combining reassuring language, accessible explanations and a confident call‑to‑action, the editorial encouraged readers to take control of their future now.
LPA NOW EDITORIAL COPY
An editorial layout for the National Asbestos Helpline, designed to raise awareness around asbestos exposure and guide readers toward trusted support. The press advertising focused on clarity, reassurance and public education, using structured visual hierarchy and approachable messaging to communicate risks, symptoms and available assistance. This piece balances factual guidance with empathetic tone, helping audiences understand when to seek help and how the Helpline can provide practical, reliable support.
NATIONAL ASBESTOS HELPLINE EDITORIAL COPIES
An editorial layout for Sullivan Retirement Residence, promoting their premium overseas retirement homes to individuals seeking a luxurious, well‑supported lifestyle abroad. The press piece combined elegant imagery with clear, aspirational messaging, using strong visual hierarchy to highlight comfort, community and high‑quality living. The design balanced practical guidance with a refined, reassuring tone, helping retirees envision a peaceful, enriching future while positioning Sullivan as a trusted provider of exceptional international retirement experiences.
SULLIVAN RETIREMENT RESIDENCE EDITORIAL COPY
EDITORIAL DESIGN
A series of editorial layouts for both newspaper and magazine publications, promoting exclusive discounts on the brand’s patented comfort‑enhancing pillows. The campaign focused on sleep wellness and trusted testimonials, combining clean typography, balanced composition and persuasive visual hierarchy to communicate credibility and warmth. Each layout was crafted to align with print advertising standards while maintaining GX Pillows’ brand identity. The result was a cohesive set of editorial pieces that elevated the product’s story, blending commercial design with editorial storytelling to engage readers and drive conversions.
GX PILLOWS EDITORIAL COPIES
A series of editorial advertisements across newspaper and magazine formats to support the product launch of the newly reformulated Brain8 supplement - a wellness product designed to help combat brain fog, a topic that has gained significant attention in recent years. The campaign introduced the refreshed brand identity through clean, confident layouts and a calm, science‑led aesthetic. Each piece balanced visual storytelling with brand communication, using typography and imagery that conveyed clarity, focus and trust. The result was a cohesive editorial suite that positioned Brain8 as a credible, forward‑thinking solution.
SILVR WELLNESS EDITORIAL COPIES
Colourfence’s nationwide advertising campaign was developed through a suite of clean, impactful editorial layouts designed for newspapers, magazines and smaller regional titles across the country. Each piece showcased their fencing and shed services with clear, confident messaging, supported by strong visual hierarchy that guided readers effortlessly from headline to offer. The layouts balanced practical information with approachable branding, ensuring the content felt trustworthy, service‑driven and easy to digest. By combining structured composition, consistent typography and purposeful imagery, the campaign delivered a polished editorial presence that strengthened Colourfence’s visibility and credibility across multiple print platforms.
COLOURFENCE EDITORIAL COPIES
The editorial copy I produced for LPA Now focused on clearly communicating why securing a Lasting Power of Attorney is one of the most important steps individuals can take to protect themselves and their loved ones. Unlike a will, which only comes into effect after someone has passed away, an LPA safeguards a person’s wishes during their lifetime, ensuring that trusted family members or appointed attorneys can make vital decisions if they lose the ability to do so themselves. The copy highlighted LPA Now’s expertise in guiding people through this process, removing the confusion and stress often associated with legal documentation. By combining reassuring language, accessible explanations and a confident call‑to‑action, the editorial encouraged readers to take control of their future now.
LPA NOW EDITORIAL COPY
An editorial layout for the National Asbestos Helpline, designed to raise awareness around asbestos exposure and guide readers toward trusted support. The press advertising focused on clarity, reassurance and public education, using structured visual hierarchy and approachable messaging to communicate risks, symptoms and available assistance. This piece balances factual guidance with empathetic tone, helping audiences understand when to seek help and how the Helpline can provide practical, reliable support.
NATIONAL ASBESTOS HELPLINE EDITORIAL COPIES
An editorial layout for Sullivan Retirement Residence, promoting their premium overseas retirement homes to individuals seeking a luxurious, well‑supported lifestyle abroad. The press piece combined elegant imagery with clear, aspirational messaging, using strong visual hierarchy to highlight comfort, community and high‑quality living. The design balanced practical guidance with a refined, reassuring tone, helping retirees envision a peaceful, enriching future while positioning Sullivan as a trusted provider of exceptional international retirement experiences.
SULLIVAN RETIREMENT RESIDENCE EDITORIAL COPY
BRAND DESIGN
FUN HOUSE BRANDING
A vibrant branding and packaging system for a confectionery brand built around tasty flavours, bold colours and lively cartoon‑driven visuals. Inspired by classic fun fairs and carnivals, the identity blends nostalgic charm with modern illustration, using expressive characters, dynamic patterns and a high‑energy palette to capture the excitement of discovering new sweets. I developed a cohesive visual language across packaging assets, ensuring every touchpoint felt playful, collectible and instantly recognisable. The result is a joyful, flavour‑forward brand world that celebrates indulgence and imagination, turning each product into a miniature attraction within the Fun House universe.
MARINA AND THE DIAMONDS DIGITAL BRANDING
A full suite of digital branding content for Marina and the Diamonds as part of a university project, creating a cohesive visual world that reflected her discography and artistic identity at the time. This included a bespoke logo, a vibrant tour poster and a set of web pages designed to feel immersive, theatrical and emotionally charged - qualities central to her music and persona. I drew inspiration from the mood, symbolism and visual motifs present across her albums, translating themes of glamour, vulnerability, satire and pop‑drama into colour palettes, typography and layout choices.
THE RAVEN THEATRE CONTENT
A full set of branding assets as part of a college project for a theatre production of The Raven, developing a cohesive visual identity that captured the play’s dark, foreboding and atmospheric tone. My work centred on designing the poster, ticket and associated collateral, each piece built around moody illustration, dramatic contrast and carefully considered typography to echo the gothic tension of Poe’s narrative. I explored shadow, texture and symbolic motifs to create a sense of unease and anticipation, ensuring the visuals aligned with the production’s themes of mystery and psychological depth. Every element was crafted to draw audiences into the world of the play, forming a unified promotional suite that enhanced the storytelling and supported the overall experience.
HAPPY PALACE PARTY MATERIALS
A vibrant range of party products for Happy Palace, creating themed items for children’s gaming‑inspired parties that feel fun, modern and instantly relatable. The visuals were built around bold colours, dynamic shapes and playful iconography drawn from familiar gaming worlds, giving each product an exciting sense of movement and immersion. I incorporated expressive gaming language and recognisable UI‑style elements to connect with young players and make the experience feel personalised to their interests. From packaging and decorations to character‑led graphics, every piece was crafted to capture the energy of gaming culture and deliver a cohesive, imaginative set of party materials that elevate the celebration from start to finish.
BEACH CLUB BEVERAGE LINE BRANDING
A bright, summery suite of branding and packaging for Beach Club, a cocktail brand built around the energy of pool parties and warm‑weather celebrations. To capture that playful spirit, I centred the visual identity on inflatable animals, using them as bold, characterful motifs across all bottle labels. Their rounded shapes, glossy highlights and oversized personalities helped establish an instantly fun, carefree tone that mirrors the brand’s cocktail flavours and beach‑day attitude. Paired with vibrant colour palettes, sun‑soaked gradients and lively composition, the packaging creates a cohesive world that feels refreshing, youthful and unmistakably summery.
RAY BAN - LIFE THROUGH MY EYES BOOK AND BRANDING
A deeply personal branding project at university centred around the idea of a “personal shrine,” choosing my Ray‑Ban glasses as the object that best represents confidence, clarity and the way I see the world. The project explored how receiving those glasses transformed both my vision and my self‑assurance, becoming a symbolic lens through which I interpret identity, creativity and the things most important to me. I built a concept‑heavy book filled with development work, visual exploration and reflective storytelling, using typography, layout and imagery to express how my glasses act as a gateway to my personal perspective.
DOUG DJURITSCHEK
DOUG DJURITSCHEK
ILLUSTRATION AND DESIGN
BRAND DESIGN
A vibrant branding and packaging system for a confectionery brand built around tasty flavours, bold colours and lively cartoon‑driven visuals. Inspired by classic fun fairs and carnivals, the identity blends nostalgic charm with modern illustration, using expressive characters, dynamic patterns and a high‑energy palette to capture the excitement of discovering new sweets. I developed a cohesive visual language across packaging assets, ensuring every touchpoint felt playful, collectible and instantly recognisable. The result is a joyful, flavour‑forward brand world that celebrates indulgence and imagination, turning each product into a miniature attraction within the Fun House universe.
FUN HOUSE BRANDING
A full set of branding assets as part of a college project for a theatre production of The Raven, developing a cohesive visual identity that captured the play’s dark, foreboding and atmospheric tone. My work centred on designing the poster, ticket and associated collateral, each piece built around moody illustration, dramatic contrast and carefully considered typography to echo the gothic tension of Poe’s narrative. I explored shadow, texture and symbolic motifs to create a sense of unease and anticipation, ensuring the visuals aligned with the production’s themes of mystery and psychological depth. Every element was crafted to draw audiences into the world of the play, forming a unified promotional suite that enhanced the storytelling and supported the overall experience.
THE RAVEN THEATRE CONTENT
A vibrant range of party products for Happy Palace, creating themed items for children’s gaming‑inspired parties that feel fun, modern and instantly relatable. The visuals were built around bold colours, dynamic shapes and playful iconography drawn from familiar gaming worlds, giving each product an exciting sense of movement and immersion. I incorporated expressive gaming language and recognisable UI‑style elements to connect with young players and make the experience feel personalised to their interests. From packaging and decorations to character‑led graphics, every piece was crafted to capture the energy of gaming culture and deliver a cohesive, imaginative set of party materials that elevate the celebration from start to finish.
HAPPY PALACE PARTY MATERIALS
A full suite of digital branding content for Marina and the Diamonds as part of a university project, creating a cohesive visual world that reflected her discography and artistic identity at the time. This included a bespoke logo, a vibrant tour poster and a set of web pages designed to feel immersive, theatrical and emotionally charged - qualities central to her music and persona. I drew inspiration from the mood, symbolism and visual motifs present across her albums, translating themes of glamour, vulnerability, satire and pop‑drama into colour palettes, typography and layout choices.
MARINA AND THE DIAMONDS DIGITAL BRANDING
A bright, summery suite of branding and packaging for Beach Club, a cocktail brand built around the energy of pool parties and warm‑weather celebrations. To capture that playful spirit, I centred the visual identity on inflatable animals, using them as bold, characterful motifs across all bottle labels. Their rounded shapes, glossy highlights and oversized personalities helped establish an instantly fun, carefree tone that mirrors the brand’s cocktail flavours and beach‑day attitude. Paired with vibrant colour palettes, sun‑soaked gradients and lively composition, the packaging creates a cohesive world that feels refreshing, youthful and unmistakably summery.
BEACH CLUB BEVERAGE LINE BRANDING
A deeply personal branding project at university centred around the idea of a “personal shrine,” choosing my Ray‑Ban glasses as the object that best represents confidence, clarity and the way I see the world. The project explored how receiving those glasses transformed both my vision and my self‑assurance, becoming a symbolic lens through which I interpret identity, creativity and the things most important to me. I built a concept‑heavy book filled with development work, visual exploration and reflective storytelling, using typography, layout and imagery to express how my glasses act as a gateway to my personal perspective.
RAY BAN - LIFE THROUGH MY EYES BOOK AND BRANDING
